There's a sense of nostalgia in the book too, which has since become even more prevalent in the entertainment world with constant reboots, reimaginings, reworks and delayed sequels to the things we all liked as children. In 'Killed the Cat' you can see a wealth of items that relate to my childhood viewing and reading, like Alf, Centurions, Teenage Mutant Ninja Turtles, Airwolf, Fighting Fantasy Books etc. Music is also something that ended up playing a big part in the book, with some of my musical heroes showing up, particularly those who are no longer with us. When I look back I do wonder if some of these elements were self indulgent, but I always justify it by thinking that the main character is around my age and would have had the same cultural influences I did. These were also elements that helped make the book something that I don't think anyone else would have created.
I pulled in things like the Suicide Angel from another mini series I'd plotted out but aborted, took more influence from trips to London, including my first ever MCM Comic Con, and from a family visit to Puzzlewood. Looking back I'm not sure how I managed to pull all these different things into a little three issue book.
Ultimately it was the team of collaborators I had on the book that played the biggest part in making The Interactives something special, which was very fitting to the theme of the story. I advertised for a penciller/inker on a number of different sites and had an overwhelming response. 17 different artists ended up doing some iniital sample pages and it was Argentinian artist Luciano Vecchio whose work ended up suiting the book the most. His take on the characters made them suddenly far more three dimensional and his work on additional sample pages ended up having a big bearing on the rest of the story. I only had a few pages written when I started looking for collaborators, so his approach helped shape the characters and the world they inhabit. Luciano's artwork has an animation feel, which fit the tone and feel of the book perfectly. He's since gone on to work with both Marvel and DC, but I'd absolutely love to work with him again one day.